New Definitions (and Questions) of Power Emerge in a Show Featuring Black Women Artists

For 3 years I have dedicated the month of February to daily posts that celebrate black artists. It was a personal writing challenge as much as it was an artistic one because I wanted to expand my knowledge of black contemporary artists that were underrepresented in traditional arts publications.  The artists I featured have greatly influenced the work that … Continue reading New Definitions (and Questions) of Power Emerge in a Show Featuring Black Women Artists

Artist a Day Challenge, 2017 Finale (28): Augusta Savage

As we close out Black History Month and usher in Women’s History Month, today’s post on Augusta Savage made sense for a number of reasons — the most important being that today is the artist’s birthday.  Born on a leap year 125 years ago, Augusta Savage’s life story still resonates and her career exemplifies an unyielding determination to her art and a strong dedication to her … Continue reading Artist a Day Challenge, 2017 Finale (28): Augusta Savage

Artist of the Day Challenge (25):Kevin Beasley

I’m currently writing a separate piece on Kevin Beasley’s current installation at the Hammer Museum, but I thought I would highlight him in my artist a day challenge as well. Artists that incorporate sound into their work interest me these days because they activate their environments in an entirely new way.  Some of Beasley’s ghost like … Continue reading Artist of the Day Challenge (25):Kevin Beasley

Artist a Day Challenge (5) Beulah Ecton Woodard

In Los Angeles in the 1960’s many black artists including Charles White, Ruth Waddy and Samella Lewis fought for representation in local museums including LACMA.  Little did I know that at least one artist had been given a solo show there decades prior. Beulah Ecton Woodard was an artist/sculptor born in Ohio in 1895 who grew up in Los Angeles. … Continue reading Artist a Day Challenge (5) Beulah Ecton Woodard

The Price of Passage: Betye Saar at Roberts & Tilton

The human brain works as a binary computer and can only analyze the exact information-based zeros and ones (or black and white). Our heart is more like a chemical computer that uses fuzzy logic to analyze information that can’t be easily defined in zeros and ones. ~Naveen Jain One world deals in absolutes: “Black vs White” … Continue reading The Price of Passage: Betye Saar at Roberts & Tilton

“And Now, the Rest of the Story”: Simone Leigh at the Hammer Museum

Last week my latest review of Simone Leigh’s exhibit was featured on Arts.Black.com.  The piece takes a close look at two of the strong influences found in Leigh’s work, the Herero and the Cupboard. While reading though sources for this piece I came across the fascinating, tragic history of the Herero. This gave me a much … Continue reading “And Now, the Rest of the Story”: Simone Leigh at the Hammer Museum